Goldfinger is a British spy film that grossed $125 million over a $3 million budget, becoming the highest-grossing film of 1964. It’s based on the novel by Ian Fleming, and is a sequel to From Russia with Love (1963) and is the 3rd film in the James Bond franchise. In Australia, it was originally rated PG, which in 2006 was upgraded to M for moderate violence. The following are the 10 most recent IMDb reviews for the film.
Once again, Sean Connery does a great job as 007. Auric Goldfinger, played by the late Gert Frobe, gives an incredible performance, and Harold Sakata plays Oddjob real good. The film does have some iconic scenes (like the scene where James is strapped to the table where Goldfinger tries to use his industrial laser to cut him in half), and the movie is well known for establishing the formula its sequels follow.
Warning: Spoilers
In this Bond outing, 007 investigates millionare Auric Goldfinger who plots to raid Fort Knox but not in the way you might think.
“Goldfinger” is probably the most important film in the Bond franchise because this was the film where the Bond formula we all know and love was perfected, for better or for worse. The action packed prologue that sets the tone for the film, the musical title sequence, the megalomaniac villain with a physically powerful henchman, Q gadget scene, Bond girl with a double entendre name, I could go on. While the two previous films had these elements to a degree, “Goldfinger” perfected them and made them into staples that have been part of the Bond franchise ever since 1964.
After two films Sean Connery was finally comfortable into the role of James Bond. Here he is the cool, suave, and dangerous super spy that audiences all recognise. Gert Frobe is excellent as the titular villain giving off a megalomaniac streak and one of the few villains in the Bond pantheon that nearly brought 007 to his knees. Harold Sakata is great as the mute Oddjob giving us one the best henchman in the franchise with a unique trait. The Bond girls in this one are excellent with one having one of the most iconic deaths in the franchise and the other having a sexy but weird name.
The film is very tongue in cheek compared with the first two entries in the series which were faithful to the essence of Ian Fleming’s novels. Compared with the original book, this is one of the few times where the movie was better than the book. It even contains iconic and quotable lines not found in the original novel, “Do you expect me to talk? No Mr. Bond, I expect you to die.” Goldfinger’s plan is to nuke Fort Knox rather than rob it like in the original novel which is more ingenious and exciting. This is just a fun movie period and an influential film in the action genre that laid out the blueprint for how a Bond film should be executed.
- Another awesome opening credits excerpt featuring the fabulous original song performed by Shirley Bassey.
- The intensity-that From Russia With Love introduced-is indebtedly, still there.
- The action has fiercely improved with more practical approaches to filming the warfare. The car chase sequences are absolutely meticulous and seem far beyond there time especially for a movie birthed from the 60s.
- “No Mr. Bond. I expect you to die.” It’s no Casino Royale “the family jewels” torture scene, but it will make you squirmy for all you men out there.
- I prefer the first half over the second. The first half’s grittiness-all though, not fully shaken or stirred-is still present and drawing. The second half is merrymaking, but it becomes instinctively over-the-top, but in a good-natured, more cinematic sort of craze. Not 100% my cup of tea though.
- What. A. Twist.
- The deceased chick-count has doubled. This movie isn’t disinclined to kill off folks. Jeez.
- Hats alarm me now.
- Goldfinger is the undiluted definition of the exemplar “Bond Movie” (From Russia With Love is, well, quite the opposite).
I thoroughly savored this Bond flick, but I can’t seem to wrap my head around why most fans prefer this over From Russia With Love-which I find significantly more profound, iconic, and timely. Who knows? Maybe I’ll end up preferring Goldfinger one day. Only time can tell. (Verdict: B+)
The Bond theme song by Shirley Bassey has NOT been outdated however. That song is still THE greatest Bond song EVER! What a power! We have to thank composer John Barry for that! Bond Music from the sixties has got an ambient sound to it that makes current recordings sound bland. Shirley Bassey’s themesong sounds so sparkling, sharp and has got such a gloriously cathedral sound. If only for the soundtrack I would wanna watch this movie again and again…
Warning: Spoilers
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